Ars Dada is back with a new release on Draug Media after last year's well received EP Noir. Tenebris, along with Noir and an as of yet unfinished third EP, is to become a triple musical work spread over three different EP’s loosely describing the different stages of a cathartic process.
Where Noir is standing on the edge of the cliff above the abyss, Tenebris dives into the dark and paints the picture of the complete catastrophe. From the first track The Experiment Pt. I to last track The Experiment Pt. II, Ars Dada pulls the listener down a rabbithole of all encompassing jazz darkness, complimented by frenetic breakbeats, string harmonies, angry basslines and futuristic soundscapes. With him this time he’s got both local artists from his native city of Bodø’s music scene, and musicians from Arctic Philharmonic Orchestra.
Together they’ve created an electronic album that mercilessly pulls you into the freezing, arctic winternight of which you just cannot escape.
credits
released May 7, 2021
All tracks written and produced by Erlend Bilsbak aka Ars Dada.
Additional mixing by Truls Erlend Andersen.
Cello on tracks 2, 3 and 5 performed by Håvard Roos Bilsbak.
Violin on tracks 2, 3 and 5 performed by Brynjar Lien Schulerud.
Viola on tracks 2, 3 and 5 performed by Heidi Schulerud Bilsbak.
Vocals on all tracks performed by Anne Rindahl Karlsen.
Turntablism on The Experiment Pt. I, and Lost Eternal performed by Steffen Andersen aka Buddy Pitch.
Additional trumpet on The Experiment Pt. I performed by Bengt Haugseth.
Grand piano on Only Memories Have A Future performed by Yegor Shevtsov.
Additional guitar on The Experiment Pt. I by Ole Christian Myrhaug.
Strings recorded by Sivert Henriksen in Kysten Studio, Tromsø.
Piano recorded by Truls Erlend Andersen in Store Studio, Bodø.
Vocals recorded by Truls Erlend Andersen in Draug Media Studio, Bodø.
Mastered by Andreas Nordenstam at Nordenstam Mastering, Bergen.
Cover photo and design art by Erlend Bilsbak, additional design work by Steffen Andersen.
Big thanks to Draug Media, my family and all the artists that contributed and helped make this EP a reality!
This release was funded by Fond for Utøvende Kunstnere and Creo’s vederlagsfond.
I am psyched about this EP. I love both Grind and Breakcore. I realize that breakcore will/must change as everything else does, and I love what you did with the ferocious recordings and the seemingly meticulous production. Thanks for a great listen. lokust9ine
Lst parce que cet E.P. est la dernière création en date de Ruby My Dear mais aussi parce que c'est la fin de quelque chose. S'il a pu se ressourcer en retombant en enfance sur Brame et A Dada, il est désormais temps de grandir. Le breakcore ludique est sur la sellette ("Indians" est la seule piste apportant de la légèreté) : au jeu du chat et de la souris ne reste que le "SHA" noir, agile mais menaçant. Lst parce que LSD par un breakcore acide dangereux.
Une des plus grosses bombes de l'année ! Jordan Vauvert
Là où Dada Twist rassemblait des morceaux inédits, Midnight Twist est une compilation, avec quelques petites variations qui se repèrent dans les détails, dans laquelle Julien Chastagnol croise Ruby My Dear et Doc Colibri ("Faya Bumbaka" et "So What" — comme quoi le colibri ne meurt jamais vraiment). Un bon E.P. qui permet de revenir sur les morceaux de breakcore/jungle vitaminés et colorés de ses débuts, idéal pour se secouer en vingt minutes façon centrifugeuse !
C'eeeeest siiiii boooooon~ Jordan Vauvert